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Solo works

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Trunk talk (2023)

for bass clarinet, electronics and video.

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Yrttitarha (2022)

concert installation for percussionist, electronics,

video and herbs.​

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Henki (2022)

for accordion, electronics and video.

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Töölönlahti (2021)

for bassoon, electronics and gymnastic exercises.

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Metsä (2016)

for violin, electronics and scent of forest.

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Kahvi (2014/2016)

concert installation for percussionist, electronics,

coffee machines and scent of coffee.

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Vocal music​

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Tomrum (2024)

for female choir.

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Mökki (2022)

stage work for mixed choir, electronics and video.

Text by Tuulikki Blom. Video by Venla Helenius & Iiri Poteri.

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Mykorrhiza (2022)

for female choir and electronics.

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Hymy (2021)

for mixed choir.

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Muovi (2021)

for vocal group Signe and electronics.

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Paperi (2020)

for mixed choir and electronics.

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a s s e m b l e (2019)

for 2000 singers and Robottikuoro.

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Marenki (2018)

for mixed choir and electronics.

Text by Tuulikki Blom.

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Installations and sonic sculptures

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Juhla (2022)

installation with readymade Christmas sculptures.

Collaboration with  visual artist Hanna Laeslehto.

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Dementian kandidaatti (2022)

installation with clockworks.

Collaboration with visual artist Hanna Laeslehto.

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Bändi (2022)

four channel audio installation

resonating in wooden sculptures by Hanna Laeslehto.

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Pilvenpiirtäjiä puusta (2021)

generative sound installation.

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Anonymous Violinists (2020)

video work.

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Robottikuoro (2019)

interactive sound and light installation.

Collaboration with Counterpoint studio.

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Wing Beats (2019)

composition to visual artist Tuula Närhinen's

installation "Insects among us".

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Grima (2018)

sonic sculpture with kiwi fruits.

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Musta pilvi (2018)

seven channel sound installation.

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Thinking sounds (2018)

four channel sound installation.

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Ilmapallokone (2017)

sonic sculpture with balloons.

Collaboration with visual artist Hanna Laeslehto.

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Acousmatic music

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Touko (2019)

for eight channel audio.

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Chamber music

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Rubber band (2023)

for guitar, double bass and electronics.

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Elo (2023)

for traverso, violin, viola da gamba, harpsichord and electronics.

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Hybridi (2022)

for two violins and special bows.

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Rendez-vous (2022) 

for flute and cello.

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Heinä (2022)

for a string ensemble and electronics.

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Exobiology (2019-2022)

for saxophone quartet and electronics.

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The Red List (2021)

concert installation for organ, accordion and electronics.

Collaboration with composer Kalle Vainio.

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Hälytyskellot (2021)

for human chain and jingle bells.

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Tuusulanjärvi (2021)

for string quartet, electronics

and water-bicycle-pump-installation.

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Pest (2021)

for string quintet.

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Jam tomorrow (2020)

for big band and electronics.

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Sateentekijät (2020)

for hands and gloves.

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...and once the good more (2019)

for electric guitar quartet.

Collaboration with composer Þorkell Nordal.

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About Crickets (2019)

for clarinet, cello, percussion, electronics and video.

Collaboration with composer Þorkell Nordal.

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Synchrome (2018)

for two violins, viola, electronics and painting installation.

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Aither (2018)

for an ensemble with balloons and voice.

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Rasva (2016)

for two performers, amplified microwave ovens and scent of grease.

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Instruments

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​​Hame (2023)

two-necked electric guitar.

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Kosketin (2023)

keyboard as boobs.

 

​Kolmas rinta (2020)

kalimba as a third boob.

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Kehäkitara (2019)

four-necked electric guitar surrounding the player.

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Tölkit (2019)

metal can instrument.

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Viuluvartalo (2019)

violin-body instrument.

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Äänitakki (2018)

a jacket with nine speakers.

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Music for film

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Wendy and the Refugee Neverland. (2017)

Director: Olli Ilpo Salonen.

YLE / ELO Film School Helsinki / Metri Films.

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Waves (2017)

by  Elian Mikkola.

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Siglólates (2016)

by Anna Irina Russell, MasÌŒa Poljanec,

Justine Melford-Colegate and Tytti Arola.

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Just Kim (2016)

by Elian Mikkola and Susanna Kosonen.

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Laulu ennen sammumista (2013)

Director: Ulla Heikkilä.​ ELO Film School Helsinki / Aalto University.

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Sound design

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Uusi Lastensairaala (2018)

sound design to New Children's Hospital in Helsinki.

Collaboration in a working group.

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